1:87 diorama – the “making of”

The idea

Out of an old love for model railways and lack of space and money for a large-scale layout, I decided to create a small but well designed and decorated diorama in H0 scale 1:87. In order to place this “showpiece” clearly visible, but protected from dust and damage, the installation on one level of the IKEA Kallax tall cabinet in my hallway behind glass doors was the obvious choice.

H0 diorama in an IKEA Kallax cabinet behind glass doors
H0 diorama in an IKEA Kallax cabinet behind glass doors

The area

The dimensions were clearly specified by the cabinet selected for the accommodation. Given the small dimensions, a real rail traffic was of course not possible, but at least one or two sidetracks with a buffer stop should run behind the freight station. For a problem-free installation of the system in the closet, I let some “clearance” on the side and came up with a floor space of 75 x 36.5 cm. Pine plywood in 6 mm thickness seemed sufficient for enough stability.


The buildings

Due to the relatively small area, the possible number of buildings was severely limited. The intended epoch – around 1960 to 1975 – played a role in the selection. I decided on the following kits from Faller:

  • “Freight depot” (Faller B-154) – real “railway romance” with loading ramps and roller doors. I already had this model on my old H0 layout in the 70s. It was available as a “classic” for a short time and is fortunately available under art. no. 120154 part of the regular Faller program again.
  • “Shell gas station” (Faller B-217) – this model, which is typical for the 50s to 70s, was already on my Märklin layout around 50 years ago too and was also available for short time as a “classic”.
  • “Drink stall” (Faller 130462) – always a “lively” location and used more as a kiosk in my case.
  • “DB administration building” (Faller 120235) – a great, large clinker brick building with two and a half floors, “standard patina”, parking spaces and lovely details. Without DB signs it is very versatile – with me you could rather assume that it is … uh … some kind of “red light establishment” …

Interesting to see these buildings in a completely different setting:

The “Faller classics” were offered with the beautiful old pack motifs, one of the kits also included a DIN A 5 reprint of issue 8 of December 1958 of the legendary “Faller Magazin” – no question about, a nice way to represent a “heritage” appropriately, wich is so rich in tradition!


The Plan

If the result is to be good, it is best to first make a good plan! – I did that with the good old Quark Xpress V 5, which I got for free at some point on the “add-on CD” of a computer magazine. This is particularly suitable because you can work with an accuracy of a tenth of a millimeter. The Faller company kindly provides dimensional sketches of their building kits, for the cars I used dimensional drawings of some car models, buses for truck dimensions.

Here is the first plan in which I included two sidetracks at the freight depot:

First plan of the H0 diorama
First plan of the H0 diorama

And here the last plan – I left out a sidetrack in order to gain significantly more space, after all, trucks should be able to maneuver somewhat in front of the freight depot! – For a “more exciting” landscape, I also planned a road junction with a kinking right of way and a tunnel entrance:

Last plan of the H0 diorama
Last plan of the H0 diorama

Over the plan I put a grid at centimeter intervals, which made the work enormously easier when marking the streets, sawing out the plywood layers for the height design, etc.


The landscape

Of course, a landscape becomes much more exciting due to differences in altitude. In my diorama, these are classically based on various layers of plywood glued on each other. I refined the initially very gradual course of these layers with a lot of “Hydrozell” filler from Faller. – Of course you can also just use any regular filler, but in terms of workability, malleability and drying time, “Hydrozell” is simply excellent. Where there are too large holes, you simply glue in a few scrap pieces of plywood in advance. “Hydrozell” does not cause any problems when coloring, gluing or sprinkling. – Spatulas in several sizes for the rough structure and plastic knives and micro spatulas for the fine structure and a rubber bowl for the putty are suitable for working. Otherwise: courage for chaos, because nature is also chaotic!

 

The powerful “law of chaos” also applies to the use of litter, grass, bushes: it grows where it falls, and a lot mixes with one another. I represented rocks by coloring the dried hydrocell filler with watercolors and opaque white – not easy to find the right color shade here, which in nature can be somewhere between slate gray and sandstone beige …

The streets should also look realistic. I used to make them out of gray construction paper and embedded the edges in scattered material. But there were visible joints … Here I decided to “paint”. After initial attempts with water color, I found that it was too uneven and not opaque enough. Here, too, I opted for a Faller product (don’t worry: I’m not under a contract with Faller). The street color (180506) matches the street color very nicely, which lightenes to a very even dark gray as it dries and it does not smell “unpleasantly toxic”.

After the first “street painting”, however, the streets were much too even for me – where were there really even streets as early as 1960? So the streets were covered with a nice bumpy layer of filler and repainted. Now there are a few “bumps” and cracks in the road surface here and there, that’s good! – In the case of the slightly lowering or rising street sections, I pre-sanded the plywood pieces in question with a file and then with sandpaper, then worked out the details with filler.

H0 diorama in the shell
With the Faller street paint, the color tone was right, but the streets were far too smooth and even for me for 1960 – so everything was covered again with a “bumpy” layer of filler and then painted over again.
H0 diorama
So it looks more like a street around 1960.

In the old days, the road markings were not as wide and durable as they are now. Nevertheless, I did not want to do without it for marking the edge of the road, bus lanes, kinking right of way, etc. I can highly recommend the tool used: The road marking starter set from NOCH (60740). It contains, among other things a white marker pen with which you have the application thickness well “in your hand”, and a curve ruler that you can always use for something else.


The decoration

Nothing is more important for a realistic effect in model making than rich decoration. A list of my measures:

  • The Faller “City Decoration” package (180585). It contains beautiful old telephone booths, benches, flower boxes, letter boxes, billboards, advertising pillars, wastebaskets, cigarette machines, bus stops and more – all the little things that shape a street scene.
  • Numerous labels, company logos and poster motifs from the web – with the above mentioned “Quark XPress” scaled accurately to a tenth of a millimeter and then printed out on self-adhesive label paper
  • Guard rails, boundary posts and traffic signs from the appropriate Faller sets
  • Trees such as birches and firs, for bushes and shrubs “iceand litchen” in different colors, flower flakes made of colored foam
  • Of course, various Faller litter such as flower meadow, grass, dirt road sand, gravel, etc.
  • Lots of cargo, stacks of pallets (also nicely “dirty”) and pallet trucks for the freight depot
  • Brick paper for the tunnel entrance
  • Human figurines of all kinds such as passers-by, petrol station employees, loading staff, etc.
H0-Diorama
The streetscape only becomes “alive” when it is decorated with many small details: people, benches, flowers, cargo or a parked bicycle.

The background

A good background, which continues the actual landscape into the expanse, is essential for a realistic effect. There are suitable landscape motifs for this on numerous websites. Such an image file should have the highest possible resolution so that nothing appears “pixelated” afterwards. A high four- or even five-digit number of pixels is highly recommended.

I found a background ideal for my purpose on a Wikipedia page: https://de.wikipedia.org/wiki/Datei:Bad_Hindelang_panorama_view_from_south.jpg *.

* The address is not linked here. Since it has a .jpg extension like an image file, there would otherwise be conflicts with the “image slideshow” functionality on this website. If necessary, please copy the address and enter it in the address field of the browser.

The multiple award-winning picture is from Jürgen Matern. The license rights can also be viewed on the Wikipedia page mentioned above. Here is the picture in a greatly reduced version, the largest available resolution is actually 10,000 pixels:

Diorama-Hintergrundbild von Jürgen Matern
The fantastically beautiful background image by Jürgen Matern has the following description, which is both locally and technically highly interesting: “Panoramic view of the Ostrachtal near Bad Hindelang on a sunny summer day. View from the south of the valley. The panoramic image was created by using cylindrical projection. The final picture covers a horizontal field of view of approx. 180°. It was stitched from 26 single images taken in two rows.”

 

I made a rough image montage from the front view of my diorama plate and the background image motif and then printed out the selected image section. A helpful tool called Easy Poster Printer is well suitable for this. I glued the pieces together and attached this strip to the back wall and the side walls of the cabinet floor. – Alternatively, you can of course also use a poster printing provider on the web.


The light

I already loved the possibility of showing evening or night on my old Märklin layout. – I also provided all buildings with lighting for the “Diorama”. In all building kits there was a “light mask” made of black construction paper to suppress shining light through the walls – except for the gas station. So I made a light mask for the rear part of the building myself and also installed a (heat-free) LED lighting under the roof in the front part. – The illuminated telephone booth comes from BRAWA, nice that this is possible nowadays thanks to heat-free LEDs.

In addition to the house lighting, I installed a wonderfully “real” lattice mast lamp from Viessmann at the freight depot, as well as a few whip lamps from the same manufacturer on one side as street lighting. However, the whip lamps were much too bright for me at the 16 volt voltage initially targeted, so I decided on 12 volts and reduced the number of street lights to three. The power supply is provided by a small universal power supply unit and can be switched on and off using a switch under the system.

There is no lighting on the vehicles, but at least one of the freight waggons should have a “final lantern” glowing. I first had to repair it in the freight waggon in question, and also solder a power supply to the track section.

Almost like in old times I finally had a “lively tangle” of cables under the plate. In order to fix all of this and finally lead it to a central location, I lengthened or shortened some of the wires if necessary and brought them together towards a power distributor, which is screwed invisibly in the area to the left of the tunnel entrance. This power distributor from Tivendis is beautifully compact and has 2 x 24 connections that are equipped with very solid spring-loaded terminals. It is centrally supplied with power from the power supply unit. – I then fixed the lighting cables, which were still relatively loosely dangling, to the bottom of the plywood base plate with textile adhesive tape. This makes it easier to take the diorama out of the cabinet if necessary.

I got the idea of installing a Philips Hue lamp above the diorama not before the system had already been placed in the cupboard: Since the cupboard is in a niche in the hallway, only little indirect light fell on it: everything was pretty dark .. too bad! – So I decided to screw a Philips Hue “Lightbar” firmly over the diorama, which was easy to do with the help of the variable bracket supplied. – This now makes it possible to conveniently select any light color in any brightness level via the smartphone and thus create beautiful moods.

Philips Hue Lightbar above the diorama
So inconspicuous that it is difficult to photograph it: the Philips Hue lightbar screwed on over the diorama

The rail vehicles

Of course, there should be a couple of nice freight cars on the sidetrack at the freight depot. In that case I thought: “New is expensive …” and bought a nice “bundle” of freight wagons on Ebay, enough to be able to exchange them from time to time. For a realistic look, the cars were of course first “smeared” with black watercolor. – Of course, a couple of tracks had to be found, including a buffer stop. I decided on an offer of MÄRKLIN K tracks that can be processed even more realistically than the good old metal tracks, which of course give more of the real old MÄRKLIN feeling on a large layout.

Mixed lot of freight wagons
Nice small bundle of MÄRKLIN freight wagons from Ebay, among it the wonderful Bordeaux transporter and the “covered” one with the end lantern. Everything in the old MÄRKLIN boxes that bring back memories of childhood.

The road vehicles

Some of the cars actually still come from my old H0 system, but over the years I have acquired many, lovingly made models from Wiking, Brekina, Praliné, herpa, Schuco, etc., preferably from the 50s to 70s. For the diorama, I also bought a nice “Wiking bundle” at a reasonable price on Ebay.

H0 diorama
As in a movie, the cars can be used to date the year very precisely: the Citroën “duck” could have purred along earlier, but the shapes of the VW T2 and the Mercedes-Benz bus 0302 are newer, and the youngest is the Opel GT, which first excited the automotive world in 1968.

The security

All objects, including the houses, are glued to the ground, including the human figures, some of which otherwise would not remain stable. What is not glued are on the one hand the vehicles (just to be able to relocate or exchange them) and on the other hand the building roofs (to be able to change a bulb if necessary).

The base plate rests on some 6 mm thick plywood slats that are evenly distributed over the surface and glued to give the wiring underneath the system a little free space and to prevent cable breakage, etc.


The variety

Apart from very different lighting moods, variety can be brought into play at any time by replacing and relocating the freight waggons and car models.

I’ve already thought of possible extensions, first and foremost nice advertising lights that fit in with the time and are just not too glaring. A few other well-made miniature people or animals could also populate the diorama! – Let’s see what comes …


Music

Electronic music has fascinated me, at least since I heard Tangerine Dream for the first time. When I bought a Commodore C64 (I love it), the “Music Assembler” from the Dutch USA Team was my killer app. The sequences actually had to be entered in hexadecimal values, but the result was worth all the effort: The sound chip of the C64, its filters and the typical “purring” 8-bit sound are just awesome!

Here is one of the 6 pieces that I wrote for my self-programmed C64 implementation of the well-known dice game “Kniffel” (German for “Yahtzee”):

“Phogue – Kniffel 5”


“Where there is goodness and love – there is God” – WHAT a sentence! And in my opinion it doesn’t matter what you call God. The piece “Ubi caritas” (that is in Latin “Where there is goodness”) is based on a Antiphon that was made before 800 AD!

I first heard “Ubi Caritas” in a version of Liz Story – and a shiver ran down my spine. Liz Story’s version is based on the note set by Maurice Duruflé. From this very set I created my own version – with completely synthetic instruments from the extensive collection of Apple’s Logic Pro X! – no sacrilege for me, because what matters is what comes out of it and whether you feel something:

“Phogue – Ubi Caritas”


Lyle Mays died on February 10, 2020. When I heard this three days later on a radio broadcast on Deutschlandfunk, I was very sad. Lyle Mays was guitarist Pat Metheny’s congenial pianist for decades, and their music means a lot to me. It is one of the best proofs that music that sounds so warm, as if it comes straight from the heart, can be created with a lot of programming and electronics.

Lyle Mays was a great pioneer in this regard, he controlled electronic sound generators with his acoustic grand piano and developed a distinctive, wonderful sound with Pat Metheny.

With the sad news still in my ear, I sat down at my KORG 01/WFD at night – and just let it flow. Without even wanting to compare myself with him, I involuntarily did something, as if bowing to the deceased, which comes close to the production method of Lyle Mays: The whole thing is created live in one take (no multi-track recording, no post-processing) , I play on the KORG (the synthesizer sound), but at the same time control an electric piano sound from Logic Pro X with the same note:

“Phogue – Goodbye Lyle”

PS: I intentionally set this track to “endless playback”. If you have trouble sleeping, you can let it go and lie down 🙂 …


A rather complex, but extremely interesting project was the complete implementation of the 4th Symphony by Johannes Brahms in the version for 2 pianos – in Garage Band! Since I am happy when I can play relatively easy, short sheet music by Bach, Mozart or Debussy with some fluency and error-free, a live recording was out of the question, because this sentence demands EVERYTHING from both pianists!

So I entered the entire sentence note for note in four voices and once again came across the basics of music: Where and why do I slow down the tempo, get quieter and louder? What belongs together? Where is tied or rather “staccato” played?

I discovered Brahms for myself relatively late – but then! As beautiful as the 4th symphony is already in the orchestral version, the implementation for 2 pianos has its very special charm due to the very clear spatial separation of the (only) two instruments that I wanted to reproduce in the mix, too. For the sound sampling I decided on the large Boesendorfer grand piano, from the symphony you hear the 2nd movement, which traditionally has a slow tempo, here an “Andante Moderato”:

“Johannes Brahms – 4. Sinfonie II Andante Moderato
(by the Phogue & Garage Band)”


And me ? – 3D-Modellbahn Studio

1:87 diorama

Here are pictures of my 1:87 diorama (scale H0). On a base plate made of plywood measuring 75 x 36.5 cm, I formed the landscape in the classic construction with plywood, lots of plaster, glue and scattering material. I placed the whole thing in an IKEA Kallax tall cabinet with glass doors. A Philips Hue light is mounted above the diorama, which conjures up any lighting mood – bright sunshine, stormy skies or dusk.


With vehicles that livened up the streets in 1960, when I was born:


In sepia tones it looks almost more “real”:


And so it could have looked in the same place around 1975, the little men are still working so hard, but the cars have changed …


1:87 diorama: The "Making of"

3D-Modellbahn Studio

Here are the YouTube videos of my “virtual model railway systems” created with “3D-Modellbahn-Studio”. The recording was made with a Hauppauge HD PVR 2, which is actually mainly intended for “game recording”. I made the cut with the simply-brilliant iMovie on the Mac. – I recommend full screen display and really good stereo sound.


The first setting plays in 1960, when I was born …


The second setting plays in 1974 and is an attempt to answer the old German question: “Why is it so beautiful at the Rhine?”


And me ? – 1:87 diorama

About me

Who I am

Georg M., the author of this website
John Lennon sends regards: Long-haired in Corona times like in the 70s …

My name is Georg M. (also known as “Phogue”) and I was born in West Germany in 1960. After school, high school, civilian service and a few professional detours, I completed an apprenticeship as a data processing specialist and business IT specialist and then worked in marketing for decades – first in a classic advertising agency, then for a long time in a medium-sized company with a huge product portfolio in the field of leisure and automotive technology. I created the first websites for this company, but initially my job also included the creation of all kinds of print media. Over the years, my work has shifted more and more to the area of web content maintenance in many languages. The contact with colleagues from all over the world has always given me a lot of pleasure.

Therefore a website about the FIAT 125

FIAT 125 Special (1972) by Georg M. (Germany), his parents car
FIAT 125 Special (1972) by Georg M. (Germany), his parents car

To anticipate: I don’t own a FIAT 125. But, as in many comparable cases, it is mainly personal memories that moved me to create the “FIAT 125 page”. From 1970 my parents owned a FIAT 125 in dark green, which was then replaced in 1973 by a FIAT 125 Special from the last series in light beige. (This was followed by a silver 132 and a light blue 131 Supermirafiori, with which I myself covered many thousands of kilometers with pleasure thanks to the driver’s license that I’d finally acquired, see pictures below). From thedr old times I still have the beautiful sound of the “bella macchina” in my ear! – That prompted me already in 1997 to create a website about the FIAT 125 – some of the pictures on this page are from this time.

And else ?

Above all: I am passionate about listening to and making music, mainly playing keyboard instruments, but also guitar and everything else I can get my hands on. The spectrum goes – in a nutshell – from Bach to Zappa to Yello.

I love old radios and “vintage hi-fi”, especially tape recorders. I’m not a real expert, but can swap a belt or capacitors here and there to revive the old treasures.

My heart also beats for the topic of railways and model making. I grew up in the “steam locomotive age” and in 1975 I went on a bike tour with friends to the steam locomotive depot in Rheine (at that time the last one in West Germany besides Emden). I exchanged my own Märklin H0 installation, which I had lovingly developed, for an amplifier around 1976.
With “3D-Modellbahn Studio” I discovered a fantastic program with which you can create a “virtual model railway system”. In the setups I created, I was able to fully live out all of my obsession with details. Event-driven programming opens up limitless possibilities for fully automatic operation!
Since I have neither the space nor the money for a new system today, I have at least passionately built a “1:87 diorama” that is installed in a cupboard.

Collages and alienations of all kinds have always been a lot of fun for me, already in the analogue way. After a few productions for an “imaginary radio station” called “Radio Kreutzphogana”, which were saved on compact cassettes in the 70s and 80s, I also created a work on compact cassette that I simply called “Dadaism”. Here I used numerous “audio snippets” and put them together again. This technique, which was based on good timing, cost me a few pause buttons of my tape recorder, which simply broke at some point.

Here are the two parts of the audio collage “Es war einmal ein Gaul” (Once upon a time there was a horse). The source for this was, among other things, an ancient fairy tale record from the late 1950s – be careful, this is only for “steel-hard nerves” (and in German):

“Phogue – Es war einmal ein Gaul Pt. I”

“Phogue – Es war einmal ein Gaul Pt. II”

The digital possibilities are of course ideal for any kind of collage or alienation, you no longer soil your fingers with glue or break the pause buttons. From time to time I enjoy creating digital montages, videos or animations. Here is an animation with which I recently taught my dear siblings a little fearing …


And me ? – Music